• Abstract painting featuring a landmass with a body of water in shades of red, purple, and blue, including small red, purple, and black shapes.
  • Alex Katz, self portrait, oil on canvas, contemporary art, contemporary portraiture, yellow painting, figurative art, figurative painting
  • Ugo Rondinone, watercolor on canvas, artist's frame, abstract painting, contemporary art, modern art, abstract painting, colour field painting
  • Robert Longo, Untitled (White Riot), 1984, charcoal, graphite and ink on two paper panels 243 x 304 cm, the Broad collection, figurative drawing, modern American art, contemporary art, black and white art
  • Eileen Agar, Untitled Collage (Snail), c.1970 collage, British art, modern art, surrealism, British surrealist, mixed media art
  • Lars Reiffers, Firework 2, 2024, oil on canvas, 120 x 160 cm, hyperrealist painting, contemporary art, flower painting, figurative art, photorealism
  • Edward Burtinsky, Cerro Prieto Geothermal Power Station, Baja, Mexico 2012, photograph, photographic print, contemporary art, landscape painting, abstract photography, aerial photography
  • Sean Scully, Wall Dark Green, 2021, oil on linen, 100 x 100, British art, modern art, abstraction, colour field painting, abstract painting
  • Naomi Hobson Delicate, 2024 pigment print on archival cotton rag paper, Indigenous art, indigenous photography, nature photography, contemporary art, aboriginal art, ecological art

Ashley Saville works with private and corporate clients, developing their collections across a wide spectrum of modern and contemporary art.

The word 'ACQUISITIONS' in bold black font on a white background.
Phil Shaw, The Big Fiction, 2016, 127 x 227cm, archival print, art collecting, contemporary art, contemporary printmaking, British artist
The image features a white background with the word 'EXHIBITIONS' written in bold, black text centered at the top.
Exhibition of tall cylindrical art sculptures with intricate black, white, and beige patterns, displayed on black bases in a gallery space.
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